[105] Avatar starring Sam Worthington, Sigourney Weaver in lead and directed by … Science Fiction Studies 125. "[97] Using conventional techniques, the complete virtual world cannot be seen until the motion-capture of the actors is complete. In reference to the use of the term shock and awe in the film, Cameron said, "We know what it feels like to launch the missiles. The Na'vi were based on them. A hybrid human-alien called an Avatar is created to facilitate communication with the indigenous Na'vis from the planet Pandora and pave the way for large-scale mining of the planet. 1 weekends since Titanic spent 15 weekends at No.1 in 1997 and 1998[193] â and also spent 11 consecutive weekends at the top of the box office outside the United States and Canada, breaking the record of nine consecutive weekends set by Pirates of the Caribbean: Dead Man's Chest. Cameron stated that the nine minutes of added scenes cost more than $1 million a minute to produce and finish. Quaritch organizes a pre-emptive strike against the Tree of Souls, believing that its destruction will demoralize the natives. [82], To create the interiors of the human mining colony on Pandora, production designers visited the Noble Clyde Boudreaux[83] oil platform in the Gulf of Mexico during June 2007. 'Avatar' unprecedented in staying power, international sales", "Weekend Box Office Results for December 25â27, 2009", "Top Grossing Movies in Their 2nd Weekend at the Box Office", "Weekend Box Office Results for January 1â3, 2010", "Top Grossing Movies in Their 3rd Weekend at the Box Office", "Top Grossing Movies in Their 4th Weekend at the Box Office", "Avatar becomes top-grossing U.S. film released in 2009", "Top Grossing Movies for Martin Lurther King Holiday Weekends", "Top Grossing Movies in Their 5th Weekend at the Box Office", "Avatar (2009) â Dail Box Office Results", "Weekend Report: 'Avatar' Reigns with Record MLK Gross", "Weekend Report: 'Shutter Island' Hangs On, 'Cop Out,' 'Crazies' Debut Decently", "He Doth Surpass Himself: 'Avatar' Outperforms 'Titanic, "Weekend Report: 'Dear John' Delivers, 'Avatar' Flies High Again", "Weekend Report: 'Shutter Island' Lights Up", "Avatar beats Mamma Mia's UK box office record", "AVATAR Becomes Biggest Blockbuster Ever in Korea", "Another Avatar Weekend: Pandorans Defeat Vampires", "All Time Box Office Adjusted for Ticket Price Inflation", "Oscars 2010: How James Cameron took on the world", "Here Come the Cats With Human Boobs. [179] The film experienced another marginal decrease in revenue in its third weekend, dropping 9.4% to $68,490,688 domestically, remaining in first place at the box office,[180] to set a third-weekend record. [289] In its first four days of release, sales of Avatar on Blu-ray reached 2.7 million in the United States and Canada â overtaking The Dark Knight to become the best ever selling Blu-ray release in the region. ", "Box Office Report: 'Avatar' is No. [297] The release also includes an additional 45 minutes of deleted scenes and other extras. Cameron mentioned, "you can sit down, and in a continuous screening of the film, watch it with the Earth opening". [241][242] Russell D. Moore of The Christian Post concluded that "propaganda exists in the film" and stated "If you can get a theater full of people in Kentucky to stand and applaud the defeat of their country in war, then you've got some amazing special effects. 'Avatar' run-up recalls another Cameron-captained ship", "AVATAR Movie Teaser is the Most Viewed Trailer Ever on Apple.com", "AVATAR Trailer Gets World's Largest Live Trailer Viewing on November 1", "Coca-Cola Zero Immerses in the World of Avatar", "Space Ghost to Come out of Retirement For Interview with Avatar Star Zoë Saldana", "Campaign Spotlight â This Campaign Is Wet (and Wild)", "James Cameron Writing 'Avatar' Prequel â But Not For The Big Screen", "James Cameron Spins Off 'Avatar' Book Series", "James Cameron's Na'vi Banshees Take Flight In The Avatar Video Game", Fox Licensing unveils Avatar licensing programme, "Mattel is Master Toy Licensee for Cameron's Avatar", "McDonald's Brings Customers to Another Planet in Partnership With James Cameron's Movie Masterpiece AVATAR", "James Cameron Q & A Podcast from Aliens / The Abyss Event! [234] Todd McCarthy of Variety praised the film, saying "The King of the World sets his sights on creating another world entirely in Avatar, and it's very much a place worth visiting. [98] Cameron described the system as a "form of pure creation where if you want to move a tree or a mountain or the sky or change the time of day, you have complete control over the elements". According to Cameron, "It's like a big, powerful game engine. [123] [94] More than a thousand people worked on the production. The area, known as Pandora â The World of Avatar, opened on May 27, 2017. "[177] Cameron said he did not think it was realistic to "try to topple Titanic off its perch" because it "just struck some kind of chord" and there had been other good films in recent years. [159] The film was originally set for release on May 22, 2009, during filming,[160] but was pushed back to allow more post-production time (the last shots were delivered in November),[103] and to give more time for theaters worldwide to install 3D projectors. [108] Because of the huge amount of data which needed to be stored, cataloged and available for everybody involved, even on the other side of the world, a new cloud computing and Digital Asset Management (DAM) system named Gaia was created by Microsoft especially for Avatar, which allowed the crews to keep track of and coordinate all stages in the digital processing. He first created a score that reflected the Na'vi way of sound and then combined it with a separate "traditional" score to drive the film. Avatar Movie Release Date - Check out complete Avatar movie cast, review and crew list. "[221] Cameron was aware of the sentiment that Avatar would need significant "repeat business" just to make up for its budget and achieve box office success, and believed Avatar could inspire the same "sharing" reaction as Titanic. [122] "[98] Spielberg and George Lucas were also able to visit the set to watch Cameron direct with the equipment. 41.1 March 2015, best-selling film of 2010 in the United States, Elvish, Klingon and Na'vi: Constructed languages gain foothold in film, James Horner â "Jake Enters His Avatar World", Pirates of the Caribbean: Dead Man's Chest, highest-grossing film of all time worldwide, significant disappointment at the box office, The Lord of the Rings: The Fellowship of the Ring, British Academy of Film and Television Arts, List of films featuring extraterrestrials, List of films featuring powered exoskeletons, "China's Zeal for 'Avatar' Crowds Out 'Confucius, "Avatar director slams bandwagon jumpers", "Avatar was the year's real milestone, never mind the results", "Review: AVATAR â The Most Expensive American Film Ever ... And Possibly The Most Anti-American One Too", "Moons like Avatar's Pandora could be found", "Did Avatar Borrow from Soviet Sci-Fi Novels? I had to do a double take. [293] It was later revealed that Fox had given Panasonic an exclusive license for the 3D Blu-ray version and only with the purchase of a Panasonic 3DTV. [95], During filming, Cameron made use of his virtual camera system, a new way of directing motion-capture filmmaking. With the exceptions of Jake, Norm and a select few others, all humans are expelled from Pandora and sent back to Earth. Neytiri's mother Mo'at, the clan's spiritual leader, orders her daughter to initiate Jake into their society. Weaver and Cameron appeared at additional panels to promote the film, speaking on the 23rd[131] and 24th[132] respectively. [23], Avatar was released internationally on more than 14,000 screens. [207], Box Office Mojo estimates that after adjusting for the rise in average ticket prices, Avatar would be the 14th-highest-grossing film of all time in North America. 1 in all of them", and the markets "such as Russia, where Titanic saw modest receipts in 1997 and 1998, are white-hot today" with "more screens and moviegoers" than before. "[235] Kirk Honeycutt of The Hollywood Reporter gave the film a positive review. [285] The first DVD and Blu-ray release does not contain any supplemental features other than the theatrical film and the disc menu in favor of and to make space for optimal picture and sound. [104] According to Cameron, the method allows the filmmakers to transfer 100% of the actors' physical performances to their digital counterparts. "[227] Marketing the film as a "novelty factor" also helped. ", "Avatar (2009) â Technical specifications", "DRM-Chaos verhindert 3D-Vorpremieren von Avatar", "Cinema Blend: Over 350 Avatar Screenings Already Sold Out", "Avatar is king of the world with $165.2m overseas launch", "James Cameron's Avatar Posts Record Opening Weekend Box Office Results in IMAX(R) Theatres", "ScreenCrave: Avatar Breaks IMAX's Wide Release Record", "Bollywood film-makers vie for larger screen pie", "The Numbers NewsâAvatar Scores $3.5 Million at Midnight Screenings, Big Opening Day in Australia", "All Time Environmentalist Opening Weekends", "AVATAR (2009) International Box Office Results", "Can Cameron break his own box-office record? According to Cameron, work on the film had been delayed since the 1990s to allow the techniques to reach the necessary degree of advancement to adequately portray his vision of the film. [270] For French filmmaker Luc Besson, Avatar opened the doors for him to now create an adaptation of the graphic novel series Valérian and Laureline that technologically supports the scope of its source material, with Besson even throwing his original script in the trash and redoing it after seeing the film. Sound Design, adr editor (uncredited) / sound recordist (uncredited), assistant sound effects editor (uncredited), mix technician: Skywalker Sound (uncredited), dts sound mastering engineer (uncredited), special effects senior technician (as Dave Booth), painter: Weta Workshop (as Johnny Brough), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Christopher Burke), painting department supervisor: Weta Workshop, key character designer: Stan Winston Studio, art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Christopher Cheatham), key model maker: Stan Winston Studio and Legacy Effects (as Kenneth Cornett), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Dave Covarrubias), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Louis Diaz), purchasing officer: Weta Workshop (as Jonathan Ewen), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Gustavo Ferreyra), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Carolyn Finken), key model maker: Stan Winston Studio and Legacy Effects, 3d modeller: Weta Workshop (as Mike Grealish), special effects technician (as Johnny Grindley), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Christopher Grossnickle), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Theodore Haines), props supervisor: Weta Workshop / specialty weapons: Weta Workshop, design department coordinator: Weta Workshop (as Kate Jorgensen), designer: Weta Workshop (as Nicholas Keller), prop maker: Weta Workshop (as Callum Lingard), digital system administrator: Stan Winston Studio and Legacy Effects, 3d model support: Weta Workshop (as John McMullen), model shop supervisor: Stan Winston Studio and Legacy Effects, key model maker: Stan Winston Studio and Legacy Effects (as Raymond Moore), key model maker: Stan Winston Studio and Legacy Effects (as Michael Possert), key model maker: Stan Winston Studio and Legacy Effects (as Jeffrey Pyle), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Rob Ramsdell), character design supervisor: Stan Winston Studio, prop maker: Weta Workshop (as Neil Shrader), on set amnio tank supervisor: Weta Workshop, key artist: Stan Winston Studio and Legacy Effects (as Gregory Smith), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Bodin Serba), production assistant: Weta Workshop (as Emily-Jane Sturrock), art & mold mechanical technician: Stan Winston Studio and Legacy Effects (as Tamara Carlson Woodard), armour supervisor: Weta Workshop (uncredited), special effects lab technician (uncredited), special effects technician: Stan Winston Studio (uncredited), special effects: Weld Shop Stan Winston Studio (uncredited), special effects intern: Stan Winston Studio (uncredited), effects coordinator: Stan Winston Studio (uncredited), special effects makeup: Stan Winston Studio (uncredited), special effects crew (uncredited) / special effects technician (uncredited), props technician: Weta Workshop (uncredited), studio coordinator: Legacy Effects (uncredited), layout technical director: Weta Digital (as Shaun Friedberg), lighting technical director: Weta Digital, production assistant: Weta Digital (as Seb Bast), motion capture pipeline manager: Weta Digital, assistant technical director: Weta Digital, senior software developer & engineer: Weta Digital, pre-production cg supervisor: Weta Digital, compositing sequence supervisor: Prime Focus, data center facilities manager: Weta Digital, performance capture producer: Giant Studios, animation technical director: Weta Digital, modeler: Weta Digital (as Pablo Ãngeles Zuman), sequence production coordinator: Weta Digital, senior creature technical director: Weta Digital, assistant director: facial motion capture, USA, software developer & engineer: Weta Digital, texture artist: Framestore (as Mike Bain), creature technical director: Weta Digital, lead capture technical director: Giant Studios, facial motion editor manager: Weta Digital, technical support: Weta Digital (as John Nugent Jr.), senior layout technical director: Weta Digital, digital artist: Hybride (as Raphaële Blanchard), lighting technical director: Weta Digital (as Pavani Rao), pipeline technical director: Framestore (as Felipe Bohorquez), motion capture pipeline supervisor: Weta Digital, senior visual effects supervisor: Prime Focus, motion capture stage manager: Weta Digital, lighting technical director: Weta Digital (as Matthew Bouchard), senior paint and rotoscope artist: Weta Digital, lighting technical director: Weta Digital (as André Braithwaite), creatures department manager: Weta Digital (as Kristie Breslin Husson), assistant layout technical director: Weta Digital, visual effects: Hydraulx (as Kenneth Brown), virtual cinema artist (as Nicholas Brown), digital models and simulation: ILM (as Andy Buecker), senior effects technical director: Weta Digital, digital artist: ILM (as Catherine Burrow), lead animator: Weta Digital (as Alexander Burt), lead creature technical director: Weta Digital, lead technical director: Weta Digital (as Thelvin Tico Cabezas), animation technical director: Weta Digital (as Regina Paula Cachuela), effects technical director: Weta Digital (as David Caeiro Cebrian), digital effects supervisor: Modern Videofilm, additional visual effects producer (as Toni Pace-Carstensen), pipeline technical director: Giant Studios, simulcam technical director: Giant Studios, Facial Motion Edit assistant: Weta Digital, digital save operator / production assistant: Weta Digital, production engineering: Weta Digital (as Jason Cheung), dmr production coordinator (IMAX version), visual effects: Hydraulx (as Andrew Collins), sequence production manager: Weta Digital, associate visual effects editor: Weta Digital, creature facial lead technical director: Weta Digital, motion capture pipeline engineer: Weta Digital, executive producer: Pixel Liberation Front, lighting technical director: Framestore / lighting technical director: Weta Digital, electronic graphics: Modern Videofilm (as Mark Decastro), motion editor: Weta Digital (as Mario De Barbero), senior texture artist: Weta Digital (as Bradford Decaussin), facial capture technician (as Robert Derry), digital production supervisor: ILM (as Michael Dicomo), image processing: Lowry Digital (as Keila N. Ramos), motion control operator: Los Angeles live crew, motion capture software developer: Weta Digital, computer graphics supervisor: Hybride (as Laflèche Dumais), data/render wrangler: Weta Digital (as Samuel J. Duncan), head of layout/animation tech: Weta Digital, layout lead technical director: Weta Digital, senior motion capture technical director: Weta Digital, senior effects technical director: Weta Digital (as Chris Edwards), digital models and simulation: ILM (as Chris Evans), lighting technical director: Weta Digital (as Steve Evans), senior r&d software developer: Weta Digital, sequence supervisor: ILM (as Thomas Fejes), digital models department manager: Weta Digital, cg supervisor: Weta Digital (as Adrian Fernandes), senior executive: Prime Focus (as Michael Fink), digital model supervisor: ILM (as David Fogler), shader writer: Weta Digital (as Nikolay Gabchenko), creature technical director: Weta Digital (as James Gambell), lead technical director: Weta Digital (as Christopher George), massive technical director: Weta Digital (as Reza Ghobadinik), motion capture control technician: Weta Digital, roto artist: Prime Focus (as Matt Giampa), lead technical director: Weta Digital (as Kenneth C. Gimpelson), motion editor: Weta Digital (as Sergio Gonzalez), visual effects production coordinator: Weta Digital, senior staff general manager: Weta Digital, layout technical director: Weta Digital (as Martin Grözinger), visual effects: Hydraulx (as Miguel Guerrero), facial alignment station operator: Weta Digital, motion capture stage assistant: Weta Digital, effects technical director: Weta Digital (as Martin Hallé), assistant facilities coordinator: Weta Digital, visual effects: Hydraulx (as Joseph M. Harkins), textures pipeline technical director: Weta Digital, animator: Weta Digital (as Toby M. Haruno), assistant visual effects editor: Weta Digital, lighting technical director: Weta Digital (as GG Heitman), assistant layout technical director: Weta Digital (as Rachel E. Herbert), lead compositor: Weta Digital (as Timothy Hey), supervising visual effects editor: Weta Digital, digital setup production manager: Weta Digital, lead compositor: Weta Digital (as David Houghton Williams), assistant technical directors department coordinator: Weta Digital, visual effects: Hydraulx (as Rob Hubbard), texture artist: Weta Digital (as Nikki Hayley Hughes), senior texture artist: Weta Digital (as Lina Toy Line Hum), recruitment assistant: Weta Digital (as Sherryn Matthews), facial motion edit assistant: Weta Digital, 3d visualization and optimising: Modern Videofilm, visual effects supervisor: Look Effects (as Max Ivins), lighting technical director: Weta Digital (as Myles Elliott Jackson), lead creature code developer: Weta Digital, cg artist: Prime Focus (as Michael Jahnke), texture artist: Weta Digital (as Gareth J Johnson), lighting technical director: Weta Digital (as Amanda Johnstone), texture artist: Weta Digital (as Byunggun Jung), compositor: Weta Digital (as Kory Martin Juul), executive visual effects producer: Framestore, 2d sequence manager: Weta Digital / layout coordinator: Weta Digital, lighting technical director: Weta Digital (as Susie May Kleis), performance capture project manager: Giant Studios (as James G.H. "[77] He included similar creatures in his first screenplay (written in 1976 or 1977), which featured a planet with a native population of "gorgeous" tall blue aliens. Marking the last shooting day of the year, James Cameron shared a picture from the set of ‘Avatar 2’. â are presented with sufficient expertise to make even the 2-D version an engrossing 21⁄2-hour experience. He decided to concentrate on making documentaries and refining the technology for the next few years. Avatar is a Sci-Fi spectacle to behold! "Most films are considered to be healthy if they manage anything less than a 50% drop from their first weekend to their second. They are now here for the Tokyo International Film Festival which opened here on October 17. Dean sought damages of $50m. [23] The stereoscopic filmmaking was touted as a breakthrough in cinematic technology.[24]. [168], International markets generating opening weekend tallies of at least $10 million were for Russia ($19.7 million), France ($17.4 million), the UK ($13.8 million), Germany ($13.3 million), South Korea ($11.7 million), Australia ($11.5 million), and Spain ($11.0 million). [73], In a 2007 interview with Time magazine, Cameron was asked about the meaning of the term Avatar, to which he replied, "It's an incarnation of one of the Hindu gods taking a flesh form. [70] The January 2007 press release described the film as "an emotional journey of redemption and revolution" and said the story is of "a wounded former Marine, thrust unwillingly into an effort to settle and exploit an exotic planet rich in biodiversity, who eventually crosses over to lead the indigenous race in a battle for survival". [255][256] Cinema audiences in Russia have noted that Avatar has elements in common with the 1960s Noon Universe novels by Arkady and Boris Strugatsky, which are set in the 22nd century on a forested world called Pandora with a sentient indigenous species called the Nave. [247] Annalee Newitz of io9 concluded that Avatar is another film that has the recurring "fantasy about race" whereby "some white guy" becomes the "most awesome" member of a non-white culture. [299] On October 2010, Cameron stated that the standalone 3D Blu-ray would be the final version of the film's home release and that it was, "maybe one, two years out". Taylor), camera department manager: Weta Digital (as Sandy Coco Taylor), computer graphics supervisor: Hybride (as Philippe Théroux), creatures technical director: Weta Digital, lead virtual stage operator (as Tyler Thomson), lead massive technical director: Weta Digital, motion editor: Giant Studios (as Jason Tong), effects technical director: Framestore (as Adrien Cayus Toupet), assistant visual effects line producer: Framestore, senior motion editor: Weta Digital (as Jonathon Tyler), additional visual effects: Stereo D (as Arthur Vail), second assistant DMR editor (IMAX version), creature technical director: Weta Digital (as René Van De Poel), compositor: Weta Digital (as Mark Van Den Bergen), motion capture studio technical director: Weta Digital, production engineering: Weta Digital (as John Van Leeuwen), motion editor: Giant Studios (as Michael Vaverka), compositor: Framestore (as Giuliano Vigano), lighting technical director: Weta Digital (as Dan Wade), motion control operator: Los Angeles live action (as Simon Wackley), digital paint artist: Framestore (as Margaret Walby), systems: Prime Focus (as Sean Wallbridge), motion editor: Giant Studios (as Michael Walsh), visual effects coordinator (as Kmarie Walters), motion editor / motion editor: Giant Studios, compositing head of department: Weta Digital, assistant purchasing officer: Weta Digital, shader writer: Weta Digital (as Andrew Whittock), motion capture production manager: Weta Digital, assistant technical director: Weta Digital (as Fraser John Wilkinson), visual effects: Hydraulx (as Jerome Williams), visual effects supervisor: Lola Visual Effects, texture artist: Weta Digital (as Sarah E. Wilson), massive technical director: Weta Digital (as Gregory N. Wilton), assistant layout technical director: Weta Digital (as Teresa L. Hooper), visual effects: Hydraulx (as Loeng-Wong Savun), software developer & engineer: Weta Digital (as Xiao Xian), assistant visual effects coordinator (as Mike Zavala), visual effects producer: Pixel Liberation Front, electronic graphics: Modern Videofilm (as Corina Zuniga), lead modeller: Weta Digital (as Rainer Zoettl), lighting technical director: Weta Digital (as Johan Aberg), research & development: Weta Digital (uncredited), pre-visualization supervisor (uncredited), textures & lighting: Hybride (uncredited), camera engineer: Kerner Optical (uncredited), visual effects key grip: Kerner Optical (uncredited), digital compositor: LOOK Effects (uncredited), practical effects best boy: Kerner Optical (uncredited), character animator: Weta Digital (uncredited), visual effects electrician: Kerner Optical (uncredited), post stereoscopic consultant: StereoD (uncredited), paint & rotoscoping supervisor (uncredited), chief modelmaker: Kerner Optical (uncredited), visual effects gaffer: 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(uncredited), production assistant: Hybride (uncredited), practical effects technician: Kerner Optical (uncredited), animator: ILM Viperwolf development (uncredited), stereoscopic consultant: Prime Focus (uncredited), digital artist: Stereo D (uncredited) / stereoscopic compositor: Stereo D (uncredited), practical effects supervisor: Kerner Optical (uncredited), compositing supervisor: Framestore (uncredited), visual effects technical director (uncredited), facial motion capture artist (uncredited), paint & roto coordinator: Framestore (uncredited), motion capture technical director (uncredited), compositing supervisor: Look Effects (uncredited), visual effects executive: Fox (uncredited), virtual production supervisor (uncredited), digital lighter: [Hy*drau"lx] (uncredited), lead virtual cinema artist (uncredited) / previsualization artist (uncredited), camera technical director: Weta Digital (uncredited), motion capture performer: research and development (uncredited), visual effects pipeline engineer (uncredited), visual effects supervisor: Weta Digital (uncredited), visual effects supervisor: Hydraulx (uncredited), layout technical director: Weta Digital (uncredited), visual effects executive producer (uncredited), chief engineer: Kerner Optical (uncredited), visual effects executive producer: hydraulx (uncredited), digital paint & rotoscope artist (uncredited), systems administration: Prime Focus VFX (uncredited), pipeline engineer: Weta Digital (uncredited), digital compositing artist: Framestore (uncredited), digital compositor: Flame artist (uncredited), visual effects production and technical support (uncredited), first assistant camera: Kerner Optical (uncredited), lighting/effects technical director (uncredited), visual effects artist (uncredited) / visual effects (uncredited), animation technical director (uncredited), visual effects coordinator: research and development stages (uncredited), visual effects director of photography: Kerner Optical (uncredited), stereoscopic conversion artist (uncredited), texture lighting artist: Hybride (uncredited), visual effects technical director: Prime Focus (uncredited), systems engineer: Framestore (uncredited), stereoscopic consultant: Frantic Films (uncredited), visual effects best boy electric: Kerner Optical (uncredited), visual effects executive producer: Prime Focus (uncredited), texture artist: Weta Digital (uncredited), modeler: Gentle Giant Studios (uncredited), lead effects animator: Hybride (uncredited), fluid dynamics artist (uncredited) / lighting technical director (uncredited), senior camera technical director: Weta Digital (uncredited), production manager: Kerner Optical (uncredited), motion capture animator (uncredited) / motion capture tracker (uncredited), main title designer: Pic Agency (uncredited), visual effects software developer (uncredited), assistant technical director (uncredited), render wrangler: BUF Compagnie (uncredited), virtual production artist: Lightstorm (uncredited), associate visual effects producer: Lola Visual Effects (uncredited), stunt coordinator: New Zealand (as Stu Thorp), camera operator / director of photography: second unit, New Zealand live action unit, video assist engineer (as Daniel P. Moore), first assistant camera: "a" camera (as Lawrence W. Nielsen), reference camera technician (as AJ Raitano), key grip: Los Angeles live action (as Don Reynolds), second assistant camera: "a" camera (as Phil Smith), stills: Weta Workshop / videographer: Weta Workshop, technocrane operator: additional photography (uncredited), 3D camera system design and engineering (uncredited), hd engineer: Los Angeles live action (uncredited), rigging gaffer: green screen unit (uncredited), lighting console programmer: blue screen unit (uncredited), 3d supervisor (uncredited) / first assistant camera: Los Angeles unit (uncredited), grip: Los Angeles live action (uncredited), Reference camera (uncredited) / camera operator (uncredited), first assistant / 3d technician (uncredited), additional convergence puller (uncredited), extras casting coordinator: New Zealand live action unit, extras casting assistant: New Zealand live action unit, cutter/fitter: Los Angeles live action (as Jon Atrouni), costume supervisor: Los Angeles live action, costume coordinator (as Wanda Lepionka Strong), costume supevisor: Los Angeles live action (as Lisa Lovass), head machinist (as Julie Zavala Ron-Jacket), specialty costume keyperson: USA (uncredited), costume production assistant (uncredited), set costumer: motion capture for Sigourney Weaver (uncredited), senior iq artist: Modern Videofilm (as Roger Burger), color science and technology: Modern Videofilm, digital intermediate producer: Modern Videofilm, digital intermediate coordinator: Modern Videofilm, 3d visualization and optimizing: Modern Videofilm (as Miles DeLong), digital intermediate technologist: Modern Videofilm, senior digital intermediate colorist: Modern Videofilm, digital intermediate quality assurance: Modern Videofilm, digital cinema technology: Modern Videofilm, digital intermediate producer: Modern Videofilm (as Zara Roberts), additional quality control: Modern Videofilm, data management i/o lead: Modern Videofilm, digital cinema mastering: IMAX (uncredited), digital imaging: Modern Videofilm (uncredited), digital intermediate support (uncredited), location manager: New Zealand live action unit, transport & locations coordinator: New Zealand live action unit, locations assistant: New Zealand live action unit, locations coordinator: New Zealand live action unit (uncredited), additional music editor (as Michael Bauer), music software production manager: Cue Time (as Dan Brock), musician: ethnic instruments (uncredited), executive in charge of music (uncredited), additional script supervisor (uncredited), transportation dispatcher (as Karen Chang), transport coordinator: New Zealand live action unit, transportation captain: New Zealand live action unit, medical advisor: New Zealand live action unit (as Dr. Jonathan Adler), on set production assistant: New Zealand live action unit, accounts supervisor: Weta Digital (as Steve Bayliss), stand-in: cast. 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